Poets Jaswinder Bolina and Victoria Chang virtually gathered to discuss their latest books — Jaswinder’s first essay collection Of Color (McSweeney’s, 2020) and Victoria’s 2020 National Book Award longlisted Obit (Copper Canyon Press, 2020) — as well as artistic influences and a new generation of poetry.

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Jaswinder Bolina is an American writer. His first collection of essays Of Color was published by McSweeney’s in June 2020. His most recent collection of poetry The 44th of July was released by Omnidawn in April 2019. It’s been named a finalist for the 2019 Big Other Book Award and was long-listed for the 2019 PEN America Open Book Award. His previous collections include Phantom Camera (winner of the 2012 Green Rose Prize in Poetry from New Issues Press), Carrier Wave (winner of the 2006 Colorado Prize for Poetry from the Center for Literary Publishing at Colorado State University), and the digital chapbook The Tallest Building in America (Floating Wolf Quarterly 2014). An international edition of Phantom Camera is available from Hachette India. His poems have appeared in numerous literary journals and been included in The Best American Poetry series. His essays can be found at The Poetry Foundation, McSweeney’s, Himal Southasian, The Writer, and other magazines. They have also appeared in anthologies including the 14th edition of The Norton Reader (W.W. Norton & Company 2016), Language: A Reader for Writers (Oxford University Press 2013), and Poets on Teaching (University of Iowa Press 2011). He teaches on the faculty of the M.F.A. Program in Creative Writing at the University of Miami.

Victoria Chang’s new book of poetry, Obit , was published by Copper Canyon Press in 2020. Other poetry books are Barbie Chang, The Boss, Salvinia Molesta, and Circle. She also edited an anthology, Asian American Poetry: The Next Generation. She has received a Guggenheim Fellowship, a Katherine Min MacDowell Fellowship, a Sustainable Arts Foundation Fellowship, a Poetry Society of America Alice Fay di Castagnola Award, a Pushcart, a Lannan Residency Fellowship, and other awards. Her poems have been published in Best American Poetry. Her children’s picture book Is Mommy? (Beach Lane/Simon & Schuster), was illustrated by Marla Frazee and was named a NYT Notable Book.  Her middle grade verse novel, Love, Love was published by Sterling Publishing in 2020. She is a contributing editor of the literary journal, Copper Nickel and a poetry editor at Tupelo Quarterly, as well as a contributing editor for On the Seawall. She is the Program Chair of Antioch University’s low-residency MFA Program, as well as co-coordinates the Idyllwild Writers Week. She lives in Los Angeles with her family and her wiener dogs, Mustard and Ketchup.

Authors Damon Young and Rion Amilcar Scott kick off the first-ever virtual Twenty Summers festival with an epic, sprawling conversation about barbershops, Covid’s impact on their work, Lovecraft Country, humor in writing, I May Destroy You, Kanye West, Black success, and the perils of white validation.

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Damon Young is a writer, critic, humorist, satirist, and professional Black person. He's a co-founder and editor in chief of VerySmartBrothas—coined "the blackest thing that ever happened to the internet" by The Washington Post and later acquired The Root—and a columnist for GQ. His work has been featured in The New York Times, The Washington Post, LitHub, Time Magazine, Slate, LongReads, Salon, The Guardian, New York Magazine, EBONY, Jezebel, and the Pittsburgh Post Gazette. His debut book, What Doesn’t Kill You Makes You Blacker, won the Barnes & Noble Great Discovery Prize for Nonfiction (2019).

Rion Amilcar Scott is the author of the story collection, The World Doesn’t Require You (Norton/Liveright, August 2019), a finalist for the PEN/Jean Stein Book Award. His debut story collection, Insurrections (University Press of Kentucky, 2016), was awarded the 2017 PEN/Bingham Prize for Debut Fiction and the 2017 Hillsdale Award from the Fellowship of Southern Writers. His work has been published in journals such as The New Yorker, The Kenyon Review, Crab Orchard Review, and The Rumpus, among others.