$35

Kioea (pronounced kēōˈāə) is a music group featuring Carand Burnet (she/her) as lead guitarist and songwriter. Their music blends sounds of surf rock, psychedelia, and global influences. J. Swartwood (Aquarium Drunkard) described Burnet’s music as “simultaneously modern and vintage.”

Bandcamp recognized Kioea for their EP and album, Stand Tall, which they selected as New & Notable releases. Bandcamp’s Editorial Director writes, “The debut LP from Kioea is dreamy psychedelic surf music that calls back to the ’60s while feeling remarkably contemporary.” Jason M. Rubin (The Arts Fuse) comments, “Burnet’s surf guitar takes the listener on journeys of their own, all of which feeds a desire to hear more.”

Doyle Dean, host of The Dean’s List on NCPR, notes that “Burnet’s guitar playing owes a little bit to the sound of The Ventures, Dick Dale, and the 90’s Canadian daredevils of the form, Shadowy Men on a Shadowy Planet. But her singular voice owes just as much to that of Sonny Rollins – lost in the madness of a late 1950s session for Riverside. It’s that departure Kioea offers.”

Kioea has played at 3S Artspace, The Music Hall, The Thing in the Spring Festival, Center for Maine Contemporary Art, SPACE Gallery, WMUR Summer Concert Series, and elsewhere. Burnet received a Maine ARP Grant through SPACE Gallery and the National Endowment for the Arts, which supported the making of Kioea’s album Stand Tall.

$35 | 6pm doors, 7pm show — SOLD OUT

Presented by Twenty Summers & Cape Symphony Presents

Join Mike Sullivan and friends in a concert featuring masked performances of Stephen Sondheim repertoire with other choral and musical theater works. With performers wearing masks and custom clothing designs, Faces of Celebration meets at the intersection of music, fashion, and art, and will explore the variety of ways in which we engage with storytelling and creative expression. The concert will be a two act performance, consisting of local and visiting singers and instrumentalists.

Mike Sullivan is an artist and musician. His work includes sculptural headwear made with materials ranging from natural objects to jewelry and broken mirrors.  Mike immersed himself in the queer communities in Provincetown and New York City, where he found a passion for portrait and documentary photography. With roots in the theater, Mike has produced several concerts and collaborations with other singers and musicians as fundraisers for different causes.

$35 | 6pm doors, 7pm show

This sonically-innovative harpist is revolutionizing her instrument for the digital era. Over the past 15 years, she has worked relentlessly to stretch boundaries and limitations for harpists. In 2022, she made history by becoming the first black woman to be nominated for a Grammy Award for Best Instrumental Composition. That same year, she was also nominated for an NAACP Image Award.

“No harpist thus far has been more capable of combining all of the modern harp traditions—from Salzedo, through Dorothy Ashby, through Alice Coltrane—with such strength, grace and commitment.”—saxophonist Ravi Coltrane

$35 | doors at 6pm, show at 7pm — SOLD OUT

Since their inception in early 2018, Bermuda Search Party (formerly known as The Q-Tip Bandits) have emerged into the Boston music scene as an energetic and vibrant act that continues to touch audience’s hearts while getting them up on their feet. Their smooth yet powerful sound is backed by the raw energy of rock and the coolness and colors of R&B and funk — with palpable grooves coated with savory, soul-inspired riffs, anthemic horns and meaningful lyrics.

After a pandemic of writing and recording, the band released their self-produced debut LP, Melancholy Flowers, in 2022. Melancholy Flowers features the vocal stylings and songwriting of both guitarist Leo Son and bassist Claire Davis, and smooth and soaring trumpet and trombone from Maclin Tucker and Hoyt Parquet. The band toured in support of the record throughout the year, culminating in four Boston Music Awards nominations, for Live and Pop Act of the Year, Song of the Year for “Daisy,” and Album of the Year.

In 2023, the band played stages across the country, touring the South and the Midwest and hitting festivals along the way including SXSW, Levitate Music Festival, and Boston Calling. In September, the band returned to the studio to record their sophomore LP with Eric Palmquist, known for his work with half•alive, Tate McRae, and Bad Suns. With singles coming in 2024, the record is a departure from the band’s previous work, putting a pop spin on their signature horn-driven indie rock sound.

$35 | 6:00pm doors, 6:30pm show

***Outdoor performance, please bring layers and a blanket to sit on.***

Buried Luminaries is a meditative performance by Nicole Salcedo accompanied by the sounds of Agua Dulce. Conjuring the orbits of celestial bodies through a movement exploration of cycles and spirals. This performance invites attendees to contemplate the cycles of life and death, grief and joy, the swelling and receding of tides, within and around us.

Agua Dulce (they/them) is a queer, neurodivergent, and transdisciplinary artist, community organizer, and energy worker born and based in Miami, FL. Their work is shaped by their time participating in local non-profit orgs (Fempower, Miami Workers Center, WeCount!, etc), mentorship by Guadalupe Maravilla (sound healing) and Sterling Rook (metalwork), and the indescribable need to reveal truths hidden by colonization and oppression as a means to process, grieve, and heal. They are a 2023 Ellie’s Creator Award recipient for metalwork, and were the 2022-2023 Narrative Teaching Artist for the ICA Miami.

Nicole Salcedo (she/they) is a multi-disciplinary queer latinx artist born and based in Miami, Florida. She works in sculpture, fibers, performance and film, with a foundational practice in drawing. Nicole’s drawings and performances open up pathways that offer a deeper understanding of nature-consciousness and the connections between our bodies and the environment. Employing repetitive mark-making and movement to create meditative and emotionally charged imagery. Salcedo’s influences include botany, fractals, the physics of electromagnetic energy, and her animistic spiritual practice. By delving into her personal experiences and cultural heritage, she creates art that speaks to universal themes of identity, transformation, and interconnectedness. Salcedo’s work draws us closer to the mystery of existence and invites us to embrace the beauty and complexity of the world around us.

Banner Photograph by Vivek Vadoliya for The Overview by Atmos

$35 | 8:00pm doors, 8:30pm show

The Weather Station is the project of Toronto based songwriter Tamara Lindeman.  The last few years have seen The Weather Station release two albums: the career defining Ignorance (2021) and its ethereal, mostly live recording companion piece, How Is It That I Should Look At The Stars (2022). In that time, The Weather Station have gone on to headline tours across North America and Europe, play major festivals, and perform on the televised Austin City Limits as well as Jimmy Kimmel Live. Ignorance was named Best New Music (Pitchfork), and landed in year-end Top 10 lists from The New Yorker (#1), Spin, New York Times, Uncut, Pitchfork, The Guardian, and many others.  Called "a heartbroken masterpiece" in The Guardian, the record was a complex evocation of climate grief that struck a chord worldwide.  

As a writer, Lindeman is known for her detail. “Her writing can feel … like the collected epiphanies from a lifetime of observing” (Pitchfork).  Over the course of six albums, her music has moved from home recorded, mostly acoustic folk to the “ornate act of world building” (New Yorker) that was Ignorance.  The throughline, though, is a focus on ideas; her lyrics walk the line between the personal and the conceptual, forever tying small moments to larger metaphysical quandaries.  Nominated for three Juno Awards, a Socan Songwriting Award, and the Polaris Prize, her albums have made a mark both critically and conceptually.

$35 | 6pm doors, 7pm show — SOLD OUT

A powerfully gifted musician and a scholar of Black American music, Jake Blount speaks ardently about the African roots of the banjo and the subtle, yet profound ways African Americans have shaped and defined the amorphous categories of roots music and Americana. His 2020 album Spider Tales (named one of the year’s best albums by NPR and The New Yorker, earned a perfect 5-star review from The Guardian) highlighted the Black and Indigenous histories of popular American folk tunes, as well as revived songs unjustly forgotten in the whitewashing of the canon.

Jake Blount’s new album, The New Faith, is a towering achievement of dystopian Afrofuturism and his first album for Smithsonian Folkways (released September 23, 2022). The New Faith is spiritual music, filled with hope for salvation and righteous anger in equal measure. The album manifests our worst fears on the shores of an island in Maine, where Blount enacts an imagined religious ceremony performed by Black refugees after the collapse of global civilization due to catastrophic climate change.

Jake Blount’s music is rooted in care and confrontation. On stage, each song he and his band play is chosen for a reason - because it highlights important elements about the stories we tell ourselves of our shared history and our endlessly complicated present moment. The more we learn about where we’ve been, the better equipped we are to face the future. 

$35 | 6pm doors, 7pm show — SOLD OUT

One of the Midwest’s most prolific and passionate songwriters, May Erlewine has a gift for writing songs of substance that feel both fresh and soulfully familiar. Her ability to emotionally engage with an audience has earned her a dedicated following far beyond her Michigan roots. She shows us her heartbreak, but she also shows us her empowered and emboldened spirit. In her quest to find her most authentic self, Erlewine gifts each listener with a powerful, emotional experience that immediately connects us.

Raised in a home full of art and music, Erlewine began writing songs at a very young age. As a teenager she hitchhiked across the country, honing her skills as a performer and absorbing the kind of stories and landscapes that would inform her music. Her songs show a very real connection and concern with everyday folk.

Erlewine uses her music as a platform for positive change. She considers her job a service-oriented one and carries the torch of the folk-singer activist. Her voice on stage encourages connectedness and stresses the importance of environmental advocacy, social justice, creative empowerment and community building as necessary work for all of us. 

Erlewine’s music has touched people all over the world. Her words have held solace for weary hearts, offered a light in the darkness, and held space for the pain and joy of being alive in these times. She is a true artist, an anthem, and another example of why we need to listen to women. We need to hear these stories. When she starts to sing, there’s no way around it: The time is now.