In Pending Memories, Adrián Fernández combines photographic media, three-dimensional installation, digital art and elements of architecture and engineering software to achieve images that challenge the viewer's perception by proposing a new imaginary reality. The viewer is called to consider the motives that led to the existence of each construction, reframing a fabricated past to dream of a utopian future
Adrián Fernández studied visual arts at the San Alejandro Fine Arts Academy (2004) and later at the Superior Institute of Arts (2010) in Havana. From 2010 to 2012, he trained at The Ludwig Foundation of Cuba and New York University, Tisch School of the Arts Special Programs, where he also taught. He has exhibited extensively, from Berlin to New York, Houston to Antwerp, including ongoing representation at Provincetown’s Schoolhouse Gallery.
From a conceptual point of view, I believe this work connects with my perception of the Cuban reality and the crisis this country has lived with for such a long time. The current paradigm crisis, from a social and ideological point of view, drives the creation of these photographs. The accumulation of similar images reveals a reality that shows structures in disuse, abandoned within the idleness of a depleted territory. The ‘photographed’ constructions function as metaphors for the inert remains of a society sustained by the spectral foundation of memory. The residues of the epic past and the current precariousness of the current moment appear as ruins of the fiction that we still have to live with today.
—Adrián Fernández
